Tennant is pure delight, bringing warmth and faultless comic timing, plus a hit of nostalgia. and the Mogwai from Gremlins, and the episode plays out like an homage to Spielberg. In appearance, The Meep stirs memories of E.T. The tone is magical and faintly Christmassy (yes, I know it’s not Christmas yet, but people do like to start early), and the production values are clearly several notches higher than before. This special marks the start of two things: Davies’s return as showrunner after a 13-year hiatus, and Disney’s £100 million injection into the Whoniverse. She now lives an ordinary life with her husband, mother, and teenage daughter, Rose, until fate brings her face-to-face with the Doctor once again and a furry alien called The Meep crash-lands near her house. Donna’s memory was wiped when these two were last together. The main event is the glorious reunion of David Tennant and Catherine Tate as the Doctor and Donna Noble, and the special begins with a quick recap of their relationship. Watching it is like trying to enjoy a conversation with an old friend, only for their eye-rolling 13-year-old to keep interrupting. And partly because there’s nothing today’s kids like better than educating their elders about gender pronouns, which is a running theme in this episode. That’s partly because it’s a rollicking, family-friendly adventure with a cute villain and no real scares. But The Star Beast, the first of his three 60th anniversary specials, is tailor-made for a young audience. Russell T Davies has said that Doctor Who is not a children’s show.
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